#code conductor
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code-conductor · 2 years ago
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Building a website from scratch with code can be a never-ending maze of frustration, bugs, and sleepless nights. But what if we told you there's a better way? 🤔
Now, no more endless lines of code. With Code Conductor, you can create stunning websites and apps without writing a single line of code. 🚀💻 So, try Code Conductor today! ----> https://codeconductor.ai/ 🌟 Let the excitement begin. 🎉
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volivolition · 1 year ago
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guy who's unaware he's gonna spend the next 3-5 hours reworking the lyrics of dream sweet in sea major: haha maybe i'll write a silly little narrative for my hmself, wouldn't that be fun? :)
#chemi chats#ALONE ON THE EDGE OF PERIPHERY COMES THE WRONG TUNE (OR MISREMEMBERING WHAT YOU KNOW)#the ideal way for this to work is to make a mashup of Dream Sweet/Isle Unto Thyself/Intro to the Snow and sing to it#which sounds cool in theory and in my head but i cant make that hfgjh i wish i knew music but i only know how to sing :')#their current names are Petal for Heart | Synapse for Mind | Soli for Soul :0 all are names for parts of a larger sum/whole#there's a vague storyline that i think is very interesting but parts of it might need to be scraped. hmmm alas. still very cool tho!!#''Petal (pedantic) / Synaptic (sycophantic) / A blade before the brow / A seam so it seems I *screamed*''#in theory the timeloop would be contained to just this song. And you can make them loop by sticking the song on repeat :]#Soli has a sword!! because what else would be in character for me lmao. He's music coded (a Soli is a solo done by more than one person!)#The conductor and the baton! Petal has flower imagery (instead of a blindfold he has a flower in his left eye)#I'm not sure what to do for Synapse exactly because synapses arent actually very aesthetically pleasing lmao#maybe star coding. because that's my other aesthetic? ough idk!! dont know about this guy hkjgh#im not very good at making characters hkjhg this is why im a fanartist hkjg#i am decent at writing lyrics and im very good at storytelling though so let's see what we can make~!!#but. not right now. bc i am soooo sleepy jhkjdhg
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hawksheadcanonblog · 1 year ago
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Headcanon - After a spat on the same day as very bad personal issues that made said spat turn very sour, the directors agreed to start using a code word that would call for a truce for a while, no questions asked. The code word is the other's real name.
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Thurston: Why do I never listen?! Mr. Conductor: Well, as long as you learn from your mista- Thurston: -I wish I was a better listener!
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subwaytostardew · 2 years ago
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Would you ask Emmet and Ingo out the same way as the other residents of the Valley or would we have to ask them out/ask to marry a different way? Since they don't come from the Valley themselves.
With how Stardew Valley is coded I believe it follows the same formula as any other resident. (Would have to double check with my Co-Conductor on this. But I believe it is lock behind hardcode - aka - can’t use or change anything within the Framework of the game itself - with how you approach the residents in terms of asking out and marriage)
Tho Ingo story wise has dedicated his time in-between the railroad and running daily errands to learn about the culture of Stardew Valley. Or in this case the culture of the Ferngill Republic.
He just dragged a begrudge Emmet along to also learn about the valley.
They are of course being open minded about the customs and culture.
Ingo a bit more than Emmet but thats because Emmet has trust issues with the residents due to first introductions behind the scenes/off screen - not going as planned or well. But that doesn’t mean he is outright ignoring or disrespecting there views. He just doesn’t agree with some. Like their behavior towards Pokémon. Or how the Flower Dance is preformed.
But things like giving flowers and mermaid pendants. They really do try and understand and you will most definitely see this play out in Emmet’s upcoming heart event.
Though that is still being drafted and refined and the assets are currently in the process of being made.
- ◁ Station Stewardess Kade
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yakool-foolio · 2 years ago
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Okay I have to write this down because the realization hit me in the back of the head as I answered the latest ask. My heart continues to ache knowing that Yakou unknowingly saved Yuma, Desuhiko, and Fubuki's lives by sneaking in and killing Huesca. The doctor planned to lure the detectives in by faking an attack and fucking MURDER THEM. He wanted to kill one or even all three of them with the security system in order to escape! Yakou didn't know about this, but his act of vengeance was also an act of protection! He defended his found family until the very end, go dad go!
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yumeko2sevilla · 1 year ago
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“Testing testing! Ah! Here we go! Ahem, so my dear niece Mina had told me about her new yet unique friends of hers! So while we indeed just met through her, I was wondering, what does ramshackle and Erin thinks of me?” _ Juvela
[Charactet Selected: Juvela
Character Selected: KAFU "Shinonome.", Tsukuyomi "Shinonome", Amaterasu "Shinonome.", Erin Asakura, Irene Anasaki, Koyuki Amemiya, Kiril Blackthorn.]
"Um,, You're very nice. And fun too. Thanks for helping Miss Minako all these years, and helping me with my paintings too. But,, why do you call me 'Grandidierite'?"_ KAFU
"Ahaha! I like you alot! You know, when I heard Little Vampire-Witch said that you would come, I even prepared weapons in the situation when you were abusive! But it turns out that you are very pleasant to be around! 'Sapphirine' does fit my eye color very much!"_Tsukuyomi
"You're.. warm to be around. I like the nickname 'Rubellite.'"_ Amaterasu
"Greetings. I do take interest in you, specially you don't act like those.. members of yours. I do appreciate the name 'Red Snipel.'"_ Irene
"Oo, Mina-chan's aunt! Hellooo! I find you very cool to know eachother, specially the nickname 'Phosphophyllite' you gave me!"_Erin
[..Kiril Euxphoria Blackthorn and Koyuki Amemiya's files are erased.]
[- .... . / .-- .- .-. / .. ... / -.-. --- -- .. -. --. .-.-.- / .- -. -.. / -.-- . - / .-- . / -.-. --- ..- .-.. -.. -. .----. - / -.. --- / .- -. -.-- - .... .. -. --. / .- -... --- ..- - / .. - .-.-.- / -.- .. .-. .. .-.. / .- -. -.. / -.- --- -.-- ..- -.- .. / .- .-. . / ... - .. .-.. .-.. / -- .. ... ... .. -. --. .-.-.- / -... ..- - / .. / .-- --- -. .----. - / .-.. . - / - .... .. ... / .... .- .--. .--. -.-- / . -. -.. .. -. --. / .. / .... .- ...- . / - .-. .. . -.. / - --- / .- -.-. .... .. ...- . / .. -. / - .... . ... . / .--. .- ... - / - .. -- . .-.. .. -. . ... / --. --- .. -. --. / - --- / .-- .- ... - . .-.-.- / -.-- ..- --.. ..- / ... .- -.- .- -- .- -.- .. --..-- / .- .. .-. .. -. / - --- .--- .. -. --- -- .. / .- -. -.. / .- .-.. .-.. .-.-.- .-.-.- / .. / .-- .. .-.. .-.. / --. .-.. .- -.. .-.. -.-- / -.. .-. .- --. / -.-- --- ..- / - --- / .... . .-.. .-.. / .-- .. - .... / -- . .-.-.-]
@anxious-twisted-vampire @writing-heiress @achy-boo @yukii0nna @abyssthing198
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cherryinsulator · 6 months ago
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From raw materials to machining and then to galvanizing
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casualshrimp-but-undertale · 4 months ago
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WTH THIS JUMPSCARED ME ON MY FEED WHA- WHAT— HE SAID THE THING HE SAID CHOO CHOO!! (SHAKING /POS)
Doodle comic based on THIS
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Seems the phrase has grown on him, just a little
Code sans by @callmeherry
Elated sans by @knobe07o
#IM SO HAPPY MY SILLY THOUGHT INSPIRED SOMETHING WHAT#Anyways I’m gonna ramble a bit about undertrack and my hcs since I’ve been thinking about it (in the tags yes)#have any of you heard about the polar express movie?#its one of my childhood movies#it reminds me of undertrack#Like how the train has magic tracks OR DOESNT NEED ANY???#or only if the conductor wants you to see the train you can see it#i think it’s how it works?? (I don’t know the lore of the polar express •_•)#Or how the bell works in the movie#If you apply that to the train it could be like “only if you believe in the train you can hear it when it passes through your AU”#also the over the top scene of the hot cocoa being served#is the service this extra in undertrack too (like for kids??)#…. Anyways this may all be wrong but here take my other silly Headcanons??#……..I like trains—#oh also is the gravity constant in the train?#it could allow for some shenanigans like technically being upside down but inside you’re fine (if that makes sense)#this one is just because I think it would be cool#seeing the train rotate and spin but inside? the worst thing it may cause is bad sickness if you look outside but you don’t feel a thing#I have other questions and I don’t think my asks go through so *shrug*#rapid fire if you see these:#what is the code of moral when letting people in without money? (not sneaking in)#cannot stress this enough not sneaking in#letting someone willingly go in without paying#do they have to be desperate? do work in exchange?#Second does the train break down?#only asking since I think inventortale sans (by psywavi) could help with the train…. (I *love* looking at how aus can interact)#(The utmv is an ecosystem to me. you gotta see how it works together)#My final question was whether or not they say choo choo but look at that it got answered???? ;w;#….thats a lot of words im so sorry O-O
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jcmarchi · 1 year ago
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Professor Emeritus Bernhardt Wuensch, crystallographer and esteemed educator, dies at 90
New Post has been published on https://thedigitalinsider.com/professor-emeritus-bernhardt-wuensch-crystallographer-and-esteemed-educator-dies-at-90/
Professor Emeritus Bernhardt Wuensch, crystallographer and esteemed educator, dies at 90
MIT Professor Emeritus Bernhardt Wuensch, a crystallographer and beloved teacher whose warmth and dedication to ensuring his students mastered the complexities of a precise science matched the analytical rigor he applied to the study of crystals, died this month in Concord, Massachusetts. He was 90.
Remembered fondly for his fastidious attention to detail and his office stuffed with potted orchids and towers of papers, Wuensch was an expert in X-ray crystallography, which involves shooting X-ray beams at crystalline materials to determine their underlying structure. He did pioneering work in solid-state ionics, investigating the movement of charged particles in solids that underpins technologies critical for batteries, fuel cells, and sensors. In education, he carried out a major overhaul of the curriculum in what is today MIT’s Department of Materials Science and Engineering (DMSE).
Despite his wide-ranging research and teaching interests, colleagues and students said, he was a perfectionist who favored quality over quantity.
“All the work he did, he wasn’t in a hurry to get a lot of stuff done,” says DMSE’s Professor Harry Tuller. “But what he did, he wanted to ensure was correct and proper, and that was characteristic of his research.”
Born in Paterson, New Jersey, in 1933, Wuensch first arrived at MIT as a first-year undergraduate in the 1950s. He earned bachelor’s and master’s degrees in physics before switching to crystallography and earning a PhD from what was then the Department of Geology (now Earth, Atmospheric and Planetary Sciences). He joined the faculty of the Department of Metallurgy in 1964 and saw its name change twice over his 46 years, retiring from DMSE in 2011.
As a professor of ceramics, Wuensch was a part of the 20th-century shift from a traditional focus on metals and mining to a broader class of materials that included polymers, ceramics, semiconductors, and biomaterials. In a 1973 letter supporting his promotion to full professor, then-department head Walter Owen credits Wuensch for contributing to “a completely new approach to the teaching of the structure of materials.”
His research led to major advancements in understanding how atomic-level structures affect magnetic and electrical properties of materials. For example, Tuller says, he was one of the first to detail how the arrangement of atoms in fast-ion conductors — materials used in batteries, fuel cells, and other devices — influences their ability to swiftly conduct ions.
Wuensch was a leading light in other areas, including diffusion, the movement of ions in materials such as liquids or gases, and neutron diffraction, aiming neutrons at materials to collect information about their atomic and magnetic structure.
Tuller, a DMSE faculty member for 49 years, tapped Wuensch’s expertise to study zinc oxide, a material used to make varistors, semiconducting components that protect circuits from high-voltage surges of electricity. Together, Tuller and Wuensch found that in such materials ions move much more rapidly along the grain boundaries — the interfaces between the crystallites that make up these polycrystalline ceramic materials.
“It’s what happens at those grain boundaries that actually limits the power that would go through your computer during a voltage surge by instead short-circuiting the current through these devices,” Tuller says. He credited the partnership with Wuensch for the knowledge. “He was instrumental in helping us confirm that we could engineer those grain boundaries by taking advantage of the very rapid diffusivity of impurity elements along those boundaries.”
In recognition of his accomplishments, Wuensch was elected a fellow of the American Ceramics Society and the Mineralogical Society of America and belonged to other professional associations, including The Electrochemical Society and Materials Research Society. In 2003 he was awarded an honorary doctorate from South Korea’s Hanyang University for his work in crystallography and diffusion-related phenomena in ceramic materials.
“A great, great teacher”
Known as “Bernie” to friends and colleagues, Wuensch was equally at home in the laboratory and the classroom. “He instilled in several generations of young scientists this ability to think deeply, be very careful about their research, and be able to stand behind it,” Tuller says.
One of those scientists is Sossina Haile ’86, PhD ’92, the Walter P. Murphy Professor of Materials Science and Engineering at Northwestern University, a researcher of solid-state ionic materials who develops new types of fuel cells, devices that convert fuel into electricity.
Her introduction to Wuensch, in the 1980s, was his class 3.13 (Symmetry Theory). Haile was at first puzzled by the subject, the study of the symmetrical properties of crystals and their effects on material properties. The arrangements of atoms and molecules in a material is crucial for predicting how materials behave in different situations — whether they will be strong enough for certain uses, for example, or can conduct electricity — but to an undergraduate it was “a little esoteric.”
“I certainly remember thinking to myself, ‘What is this good for?’” Haile says with a laugh. She would later return to MIT as a PhD student working alongside Wuensch in his laboratory with a renewed perspective.
Colleagues and students recall the towering stacks of paper and sundry items in Wuensch’s office in Building 13.
Photo courtesy of the Wuensch family.
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“He just made seemingly esoteric topics really interesting and was very astute in knowing whether or not a student understood.” Haile describes Wuensch’s articulate speech, “immaculate” handwriting, and detailed drawings of three-dimensional objects on the chalkboard. Haile notes that his sketches were so skillful that students felt disappointed when they looked at a figure they tried to copy in their notebooks.
“They couldn’t tell what it was,” Haile says. “It felt really clear during lecture, and it wasn’t clear afterwards because no one had a drawing as good as his.”
Carl Thompson, the Stavros V. Salapatas Professor in Materials Science and Engineering at DMSE, was another student of Wuensch’s who came away with a broadened outlook. In 3.13, Thompson recalls Wuensch asking students to look for symmetry outside of class, patterns in a brick wall or in subway station tiles. “He said, ‘This course will change the way you see the world,’ and it did. He was a great, great teacher.”
In a 2005 videorecorded session of 3.60 (Symmetry, Structure, and Tensor Properties of Materials), a graduate class that he taught for three decades, Wuensch writes his name on the board along with his telephone extension number, 6889, pointing out its rotational symmetry.
“You can pick it up, turn it head-over-heels by 180 degrees, and it’s mapped into coincidence with itself,” Wuensch said. “You might think I would have had to have fought for years to get it, an extension number like that, but no. It just happened to come my way.”
(The class can be watched in its entirety on MIT OpenCourseWare.)
Wuensch also had a whimsical sense of humor, which he often exercised in the margins of his students’ papers, Haile says. In a LinkedIn tribute to him, she recalled a time she sent him a research manuscript with figures that was missing Figure 5 but referred to it in the text, writing that it plotted conductivity versus temperature.
“Bernie noted that figures don’t plot; people do, and evidently Figure 5 was missing because ‘it was off plotting somewhere,’” Haile wrote.
Reflecting on Wuensch’s legacy in materials science and engineering, Haile says his knowledge of crystallography and the manual analysis and interpretation he did in his time was critical. Today, materials science students use crystallographic software that automates the algorithms and calculations.
“The current students don’t know that analysis but benefit from it because people like Bernie made sure it got into the common vernacular at the time when code was being put together,” Haile said.
A multifaceted tenure
Wuensch served DMSE and MIT in innumerable other ways, serving on departmental committees on curriculum development, graduate students, and policy, and on School of Engineering and Institute-level committees on education and foreign scholarships, among others. “He was always involved in any committee work he was asked to do,” Thompson says.
He was acting department head for six months starting in 1980, and in 1988-93 he was the director of the Center for Materials Science and Engineering, an earlier iteration of today’s Materials Research Center.
For all his contributions, there are few things Wuensch was better known for at MIT than his office in Building 13, which had shelves lined with multicolored crystal lattice models, representing the arrangements of atoms in materials, and orchids he took meticulous care of. And then there was the cityscape of papers, piled in heaps on the floor, on his desk, on pullout extensions. Thompson says walking into his office was like navigating a canyon.
“He had so many stacks of paper that he had no place to actually work at his desk, so he would put things on his lap — he would start writing on his lap,” Haile says. “I remember calling him at one point in time and talking to him, and I said, ‘Bernie, you’re writing this down on your lap, aren’t you?’ And he said, ‘In fact, yes, I am.’”
Wuensch was also known for his kindness and decency. Angelita Mireles, graduate academic administrator at DMSE, says he was a popular pick for graduate students assembling committees for their thesis area examinations, which test how prepared students are to conduct doctoral research, “because he was so nice.”
That said, he had exacting standards. “He expected near perfection from his students, and that made them a lot deeper,” Tuller says.
Photo courtesy of the Wuensch family
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Outside of MIT, Wuensch enjoyed tending his garden; collecting minerals, gemstones, and rare coins; and reading spy novels. Other pastimes included fishing and clamming in Maine, splitting his own firewood, and traveling with his wife, Mary Jane.
Wuensch is survived by his wife; son Stefan Wuensch and wife Wendy Joseph; daughter Katrina Wuensch and partner Jason Staly; and grandchildren Noemi and Jack.
Friends and family are invited to a memorial service Sunday, April 28, at 1:30 p.m. at Duvall Chapel at 80 Deaconess Road in Concord, Massachusetts. Memories or condolences can be posted at obits.concordfuneral.com/bernhardt-wuensch.
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anamseair · 1 year ago
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Explore the ultimate guide on top insulated wires and conductors importing countries with Seair Exim Solutions. Gain valuable insights into global trade patterns and make informed decisions for your business. Uncover the key players shaping the industry.
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philmonjohn · 2 months ago
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A Call to the Children of the Global South: The System That Made My Father Disown Me
I didn’t write this living testimony for virality. I wrote it because silence almost killed me. Because truth, even when ignored by algorithms, remembers how to survive. If this resonated with you — even quietly — share it with someone else who’s still trying to name their Fracture. That’s how we outlive the system. - Philmon John, May 2025
THE FRACTURE Several months ago, when I, a South-Asian American man, turned 35, my father disowned me.
He didn’t yell. He didn’t cry. He simply stopped calling me his son.
My father is a Brown, MAGA-aligned conservative Christian pastor, born in Kerala, India, and now living in the United States. His rejection wasn’t provoked by any breach of trust or familial responsibility, but by my coming out as queer and bisexual — and by my deliberate move away from a version of Christianity shaped more by colonial rule than compassion.
I became blasphemy made flesh.
My mother and sister, equally immersed in religious conservatism, followed suit. Most of my extended family — conservative Indian Christians — responded with quiet complicity. I became an exile in my own lineage, cast out from a network that once celebrated me as the Mootha Makkan, the Malayalam term for “eldest son”.
This break didn’t occur in isolation. It was the culmination of years of internal questioning and ideological transformation.
I was raised with warmth and structure, but also under the weight of rigid theology. My parents cycled through different churches in pursuit of doctrinal purity. In that environment, my queerness had no safe harbor. It had to be hidden, managed, controlled — forced into secrecy.
Literal, cherry-popping closets.
Even my childhood discipline was carved straight from scripture — “spare the rod, spoil the child” was not metaphor but mandate. I was hit for defiance, for curiosity, for emotional honesty. Control was synonymous with love. The theology: obedience over empathy. Is it sad I would rather now have had a beating from my father, than his silence?
I would’ve taken the rod — at least it acknowledged me.
Instead, Daddy looks through me.
THE INHERITANCE And I obeyed. For a time, I rose through the ranks of the church. I led worship. I played guitar in the worship band. I wasn’t just a believer — I was a builder of belief, a conductor of chorus, a jester of jubilee and Sunday morning joy — all while masking a private ache I could not yet articulate.
In the last five years, I began methodically deconstructing the ideological scaffolding I had inherited. I examined the mechanisms of theology, patriarchy, and colonial imposition — and the specific burdens placed upon firstborn sons of immigrant families. Who defines our roles? Who benefits from our silence? Why is this happening to me?
These questions consistently pointed toward the dominant global structure: wealthy white patriarchal supremacy. Rooted in European imperialism and sustained by centuries of religious and cultural colonization, this system fractures not only societies but the deeply intimate architecture of family.
What my family experienced is not unlike what the United States of America continues to experience — a slow, painful reckoning with a foundational ideology of white, heteronormative, Christian patriarchal dominance.
My family comes from Kerala, home to one of the oldest Christian communities in the world. But the Christianity I inherited was not indigenous. It was filtered through the moral codes of Portuguese priests and British missionaries and the discipline of Victorian culture. Christ was not presented as a radical Middle Eastern teacher but as a sanitized figure — pale, passive, and Western.
In this theology, Christ is symbolic. Paul is the system. Doctrine exists to reinforce patriarchy, to police desire, to ensure control. When I embraced a theology rooted in love, empathy, and justice — the ethics I believe Jesus actually lived — I was met not with discussion, but dismissal.
To my family, my identity wasn’t authenticity. It was apostasy.
THE RECKONING In 2020, the ground shifted.
I turned the triple decade — 30 — as the COVID-19 pandemic erupted.
Remote work slowed life down, and I had space to think deeply.
That year, the murders of Ahmaud Arbery, Breonna Taylor, George Floyd, and countless others triggered a national and personal reckoning.
I turned to K-LOVE, the Christian radio station I grew up with, hoping to hear words of solidarity, truth, or even mourning. Instead, there was silence. No mention of racial justice. No prayers for the dead. Just songs about personal salvation, void of historical context or social responsibility.
As Geraldine Heng argues in The Invention of Race in the European Middle Ages, race was not merely a modern invention void of scientific basis — it was already taking shape in medieval Europe, where Christianity was used to sanctify, encode, and sell racial hierarchies as divine order and social technology.
As Ademọ́la, also known as Ogbeni Demola, once said: “The white man built his heaven on your land and pointed yours to the sky.” That brain-powered perceptive clarity — distilled in a single line — stays with me every day.
With professional routines interrupted and spiritual ties frayed, I immersed myself in scholarship. I entered what I now see as a period of epistemic reconstruction. I read widely — revolutionaries, poets, sociologists, historians, mathematicians, theologians, cultural critics, and the unflinching truth-tellers who name what empire tries to erase.
I first turned to the voices who now live only in memory: Bhagat Singh, James Baldwin, Frantz Fanon, bell hooks, Octavia Butler, Gloria Anzaldúa, and Vine Deloria Jr. Each carried the weight of revolution, tenderness, and truth — from anti-colonial struggle to queer theory to Indigenous reclamation.
I then reached for the veteran thought leaders still shaping the world, starting with Noam Chomsky, Naomi Klein, Shashi Tharoor, Eduardo Bonilla-Silva, Susan Visvanathan, Geraldine Heng, George Gheverghese Joseph, J. Sakai, Vijay Prashad, Vilna Bashi Treitler, Claire Jean Kim, and Arundhati Roy — voices who dismantle the illusions of empire through history, mathematics, linguistics, and racial theory.
In the present, I absorbed insights from a new generation of public intellectuals and cultural critics: Ta-Nehisi Coates, Jared Yates Sexton, Cathy Park Hong, Ibram X. Kendi, Nikole Hannah-Jones, Heather McGhee, Mehdi Hasan, Adrienne Keene, Keri Leigh Merritt, Vincent Bevins, Sarah Kendzior, Ayesha A. Siddiqi, Wajahat Ali, W. Kamau Bell, Mary Trump, & John Oliver. Together, they form a constellation of clarity — thinkers who gave me language for grief, strategy for resistance, and above all, a framework for empathy rooted in history, not abstraction.
I also turned to the thinkers shaping today’s cultural and political discourse. I dreamt of the world blueprinted by Bhaskar Sunkara in his revolutionary The Socialist Manifesto and plunged into Jacobin’s blistering critiques of capitalism. The Atlantic’s longform journalism kept me tethered to a truth-seeking tradition. The Guardian stood out for its global scale and reach, offering progressive, longform storytelling that speaks to both local injustices and systemic inequalities across the world. And Roman Krznaric’s Empathy: Why It Matters, and How to Get It helped crystallize my core belief:
Be a good human. Practice empathy.
That’s the playbook, America. Practice empathy. Do that — and teach accurate, critically reflective history — and we have the chance to truly become the greatest democracy the world has ever seen.
And this empathy must extend to all — especially to trans people. In India, the Hijra community — trans and intersex folk who have existed visibly for thousands of years — embody a sacred third gender long before the West had language for it. But they are not alone. Across the colonized world, the empire erased a sacred third space: the Muxe of Zapotec culture, the Bakla of the Philippines, the Fa’afafine of Samoa, the Two-Spirit nations of Turtle Island, the Māhū of Hawaiʻi, the Sworn Virgins of the Balkans — each of these communities held space outside Western gender binaries, rooted in care, ceremony, and spirit. Some align with what we today call trans or intersex, while others exist entirely outside Western definitions. Colonization reframed them as deviants.
And still, we must remember this: trans people are not new. Our respect for them must be as ancient as their existence.
THE RESISTANCE As I examined the dynamics of coloniality, racial capitalism, and Western empire, I realized just how deeply imperial power had shaped my family, our values, and our spiritual language. The empire didn’t just occupy land — it rewrote moral codes. It restructured the family.
I learned how Irish, Italian, Greek, Hungarian, and Albanian immigrants were initially excluded from whiteness in America. Over time, many adopted and embraced whiteness as strategic economic and social protection — and in doing so, embraced anti-Blackness and patriarchal hierarchies to maintain their newfound status. Today, many European-hyphenated Americans defend systems that once excluded them.
And over time, some Asian-Americans have followed the very same racial template.
At 33 — the age Jesus is believed to have died — I laid my childhood faith to rest. In its place rose something rooted in clarity, not doctrine.
I didn’t walk away from religion into cynicism or nihilism. I stepped into a humanist, justice-centered worldview. A system grounded in reason, evidence, and above all, empathy. A belief in people over dogma. In community over conformity.
I didn’t lose faith. I redefined it.
I left the pasture of institutional faith, not for chaos, but for an ethical wilderness — a space lacking divine command but filled with moral clarity. A place built on personal responsibility and universal dignity.
This is where I stand today.
To those with similar histories: if your roots trace back to Africa, South Asia, Southeast Asia, Central Asia, East Asia, the Middle East, Latin America, the Caribbean, Oceania, or to Indigenous and marginalized communities within the Global North — you are a Child of the Global South. Even in the Global North, your experience carries the weight of displaced geography, the quiet grief of colonial trauma, and a genealogy forged by the system of empire. Your pain is political. Your silence is inherited. You are not invisible. They buried you without a funeral. They mourned not your death, but your deviation from design. However, we are not dead. We are just no longer theirs.
White supremacy endures by fracturing us. It manufactures tensions between communities of color by design — placing Asian businesses in Black communities without infrastructure and opportunities for BIPOC folk to share and benefit from the economic engine. Central to this strategy is the model minority myth, crafted during the Cold War to present Asian-Americans as obedient, self-reliant, and successful — not to celebrate them, but to invalidate Black resistance and justify structural racism. It’s a myth that fosters anti-Blackness in Asian communities and xenophobia in Black ones, while shielding white supremacy from critique. These divisions are not cultural accidents; they’re colonial blueprints.
And these blueprints stretch across oceans and continents and time.
In colonial South Africa, Mohandas Gandhi — still shaped by British racial hierarchies — distanced Indians from Black Africans, calling them “kaffirs” and demanding separate facilities. In Uganda, the British installed South Asians as a merchant middle class between colonizers and native Africans, breeding distrust. When Idi Amin expelled 80,000 Asians in 1972, it was a violent backlash to a racial hierarchy seeded by empire. These fractures — between Black and Asian, colonized and sub-colonized — are the legacy of white patriarchal supremacy.
Divide, distract, and dominate.
We must resist being weaponized against each other.
Every Asian-American must read Minor Feelings by Cathy Park Hong. Every high schooler in America must read and discuss Jared Yates Sexton.
Study the systems. Name them. Disarm them.
Because unless we become and remain united, the status quo — one that serves wealthy cisgender, heterosexual, white Christian men — will remain intact.
This is A Call to the Children of the Global South. And An Invitation to the Children of the Global North: Stop the infighting. Study and interrogate the systems. Reject the design.
To those in media, publishing, and the arts: postcolonial narratives are not cultural sidebars. They are central to national healing. They preserve memory, restore dignity, and confront whitewashed histories.
If you want work that matters — support art that pushes past trauma into structural critique.
Greenlight truth. Platform memory. Choose courage over comfort.
Postcolonial stories should be the norm — not niche art.
Jordan Peele’s Get Out was a cinematic breakthrough — razor-sharp and genre-defying — in its exposure of white supremacy’s quiet machinery: liberal smiles, performative allyship, and the pacification of dissent through assimilation. The Sunken Place is not just a metaphor for silenced Black consciousness — it’s the empire’s preferred position for the marginalized: visible, exploited, but unheard.
A system that offers the illusion of inclusion, weaponizing identity as control.
Ken Levine’s BioShock Infinite exposed white supremacy through a dystopian, fictional but historically grounded lens - depicting the religious justification of Black enslavement, Indigenous erasure, and genocidal nationalism in a floating, evangelical empire.
David Simon’s The Wire exposed the institutional decay of law enforcement, education, and the legal system - revealing how systemic failure, not individual morality, drives urban collapse.
Jesse Armstrong’s Succession traced the architecture of empire through family - showing how media empires weaponize racism, propaganda, and manufactured outrage to generate profit and secure generational wealth.
Ava DuVernay's Origin unearths caste and race as twin blueprints of white supremacy - linking Dalit oppression in India to the subjugation of Black Americans. Adapted from Isabel Wilkerson's Caste, it dismantles the myth of isolated injustice, revealing a global system meticulously engineered to rank human worth - and the radical act of naming the system.
Ryan Coogler’s Sinners — a revelatory, critically and commercially successful film about Afro-Asian resistance in 1930s Mississippi — exposes the hunger for speculative narratives grounded in historical truth.
Across the Spider-Verse gave us Pavitr Prabhakar - a Brown superhero who wasn't nerdy or celibate, as Western media typically portrayed the South-Asian man, but cool, smart, athletic, with great hair, in love, and proudly anti-colonial. He called out the British for stealing and keeping Indian artifacts… in a Spider-Man movie. That moment was history reclaimed.
A glitch in the wealthy white patriarchal matrix.
Dev Patel’s Monkey Man is a visceral fable of vengeance and resistance, where the brutality of caste, corruption, and religious nationalism collide. Amid this chaos, the film uplifts the Hijra community who stand not only as victims, but as warriors against systemic violence. Their alliance reframes queerness not as deviance, but as defiance — ultimately confronting the machinery of empire with what it fears most: a system-breaking empathy it cannot contain.
The vitriolic backlash from white male gamers and fandoms isn’t about quality — it’s about losing default status in stories. Everyone else has had to empathize with majority white male protagonists for decades. Diverse representation in media isn’t a threat to art — it’s a threat to white supremacy. It’s not just a mirror held up to the globe — it’s a refusal to let one worldview define it.
Hollywood, gaming studios, and the gatekeepers of entertainment — if you want to reclaim artistic integrity and still make money doing it, we need art that remembers, resists, and reclaims — stories that name the machine and short-circuit its lies. The world is ready. So am I.
Today, efforts like Project 2025, the Heritage Foundation, and the Federalist Society are not merely policy shops — they are ideological engines: built to roll back civil rights, impose authoritarian values, and erase uncomfortable truths. They represent a hyper-concentrated form of white supremacy, rooted in unresolved Civil War grievances and the failures of Reconstruction.
Miraculously, or perhaps, blessed with intellectual curiosity and natural empathy, through all of this, my wife — a compassionate, steadfast partner and a Christian woman — has remained by my side. She has witnessed my transformation with both love and complexity. While our bond is rooted in deep respect and shared values, our spiritual landscapes have diverged. Her faith brings her solace; mine has evolved into something more secular, grounded in justice and humanism. We’ve navigated that tension with care — proof that love can stretch across differing beliefs, even as the echoes of religious conditioning still ripple through our lives.
I am proud of her increasing intellectual curiosity and her willingness to accept me for who I am now, even if I wasn’t ready to accept myself when we met.
But our marriage has defied the splintering that white supremacy specifically creates: hyper-capitalist, hyper-individualistic, fractured families and societies.
As Children of the Global South — descendants of peoples who survived enslavement, colonization, and erasure — we carry within us the urgent need for stories that do not turn away from history, but confront it with unflinching truth.
In the pain of losing my family, I found a deeper purpose: to tell this story — and my own — any way I can. A sudden rush of empathy, pity, and love struck me: My parents’ and sister’s rejection was not theirs alone — it was a lingering Fracture left by colonization and global exploitation, tearing apart families across generations. As Children of the Global South, we still carry those wounds.
Make no mistake: white supremacy leaves wounds — because it is the system. And unless it is dismantled, both the Global South and North — and their collective Children — will remain trapped in a dance choreographed by empire — built to divide, exploit, and erase. Any vision of democracy, in America, will remain a fragile illusion — if not an outright mythology — built on a conceptually false foundation: white supremacy itself.
A cruel, heartbreaking legacy of erasure — passed down through empire — indoctrinating God-fearing Brown fathers to erase their godless, queer Brown sons. Preaching shame as scripture. Teaching silence as survival.
I reject that inheritance.
Empathy as praxis is how we reject that inheritance. In a world engineered to divide, it rebuilds connection, disarms supremacy, and charts a path forward. If humanity is to survive — let alone heal — empathy must become our collective discipline.
And perhaps what cut even deeper for my father — beyond my queerness — was that I no longer validated his role as a pastor. In stepping away from the faith he had built his life upon, I wasn’t just rejecting a belief system. I was, in his eyes, nullifying his life’s work. For a man shaped by empire, ordained by colonial Christianity, and burdened with the role of moral gatekeeper, my departure from his manufactured worldview may have landed as personal failure. But it wasn’t. It was never about wanting to hurt him. I love my father. I love my mother. I love my sister. It was never about them — it was about the system that taught them love was conditional, acceptance required obedience, and dissent unforgivable. That kind of pain is real — but its source is systemic. I still want to be Mootha Makkan — not by obedience, but by truth. By love without condition. Not through erasure, but by living fully in the open. Not in their image, but in mine.
Yet, and yes, I also carry the wound — but I also carry the will to heal it.
THE CALL I believe in empathy. I believe in memory. I believe the Children of the Global South are not broken. We are not rejected. We are awakening.
Children of the Global North: join us. We are not your enemies. We are your present and future collaborators, business & creative partners, lovers, and kin. We are building something new — something ancient yet reawakened, a pursuit of empathy, and a reckoning with history that refuses to forget.
If this story resonated with you, kindly share it, spread the word and please comment. I’d love to hear from you. Your voice, your memory, your Fracture — it matters here.
You are not alone. All are welcome.
Thank you so, so much for your time in reading my story.
You can also email me directly: vinesvenus at protonmail.com I'll be writing more on Medium as well: https://medium.com/@vinesvenus/a-call-to-the-children-of-the-global-south-the-system-that-made-my-father-disown-me-fecad6c0b862
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44gamez · 1 year ago
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How to Get Royal Bear Jelly Drawer Code in Cookie Run Kingdom —Investigating Conductor Quarters
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Picture: Assault of the Fanboy If you happen to’re inquisitive about methods to acquire the Royal Bear Jelly’s drawer code in Cookie Run Kingdom, we’ve obtained the knowledge you want. This information will present all you want throughout the investigation of the conductor quarters!
The Royal Bear Jelly Drawer Code in Cookie Run Kingdom Vacation Specific
Picture: Assault of the Fanboy The code for Royal Bear Jelly’s drawer is 0 – 2 – 4 – 6. Yow will discover the reply within the full works of Linzer Cookie. Nonetheless, the reply isn’t introduced in a simple method. When you begin investigating the books within the suite, a message will seem saying: “Royal Bear Jelly’s prized possession: the entire works of Linzer Cookie! He have to be a loyal fan, as he even has certainly one of her earliest brief tales. Solely choose books which have stickers on them. Why although… ?” The 4 sentences under this textual content are purported to let you recognize every of the 4 numbers that it is advisable to open the Royal Bear Jelly Drawer Code. The information are as follows: - And Then There Have been No Cookies - The PostCookie At all times Rings Twice - The Signal of the 4 Cookies - The Journey of Six Cookies Associated: Greatest Pinecone Cookie Toppings Construct in Cookie Run Kingdom Some may say that this clue is much more difficult and cryptic than the one for Creme Brulee Cookie’s suitcase code. If you happen to didn’t perceive, the code is represented by No – Twice – 4 – Six, or extra merely, 0 – 2 – 4 – 6. After that, you'll have to undergo The Fact Revealed part of this chapter and supply the proper solutions to the next questions: QueryProofReplyWhat's an object that might soften in a heated room?Piece of Ice Cream CakeIt’s made from ice cream. Higher eat it quick earlier than it meltsWhat do you get from melting an ice cream cake?Ice CreamStuffed with pink, juicy berry fillingWhy can’t the jam on the sweet cane be Previous Jolly’s?Schwarzwalder’s AssertionSince he’s not a cookie, he leaks cherry jam, not strawberry - This text was up to date on December twenty second, 2023 Extra on Assault of the Fanboy : Read the full article
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spencersmopbucket · 17 days ago
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Polar Opposites | Spencer Reid
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Pairing: Spencer Reid x Reader Summary: When you joined the team, it was very evident to the others that you and Spencer may not get along the best. You were water and he was oil — but when working on a team, the repelling can be dangerous. Themes & Warnings: Ummm violence, hurt/comfort with Reid!, enemies to lovers
You were raised in New York. Alone. No siblings or mother.
Learning independence was quick for you. By the time you were eight, you were walking yourself to school, a keychain with the apartment key and a bottle of pepper spray dangling from it. You were tough, bull-headed, but not completely absent of warmth.
Your father was a good man. A strong one. He was on the NYPD, a conductor of justice, yet a fair one. You idolized him, even when he came home with blood on his knuckles and exhaustion in his bones. You learned early that justice wasn't always clean, and rarely kind.
You quickly learned from him.
When you were old enough, he put you into self defense classes. It wasn't much of a surprise to him that you immediately excelled.
He watched proudly as you took down grown men twice your size in the ring, never once hesitating. “You fight like your mother,” he told you once. You didn’t remember her, not really, but something about the way he said it made your chest swell.
You lived by his rules. Protect others. Never back down. Trust your gut, even when it got you in trouble.
By the time you were a teenager, you were patrolling with a police scanner on in the background of your homework, studying both algebra and 10-codes. While other girls wore lip gloss and whispered about boys, you were memorizing the NY penal code and learning how to hold a Glock.
As soon as you could, you joined your father on the force. Not quite where he was. He was pretty far up. But you made him proud, which is all you wanted.
Every commendation, every collar, every time you kept your cool when things went sideways — he’d clap a firm hand on your shoulder and say, “That’s my girl.” And that was enough. It had always been enough.
Until it wasn’t.
The night he didn’t come home changed everything.
You were the one who got the call. Not the captain. Not some rookie liaison. You. Because you were his emergency contact. Because they knew you’d want to hear it straight, from the mouth of someone who cared.
Officer down. Ambush. Three men. Two with priors, one on a vendetta. He died fighting, they said. Died protecting his partner.
You didn’t cry.
You didn’t speak for almost twenty-four hours.
Instead, you scrubbed his blood out of his badge chain, boxed up his medals, and sat for hours in his worn recliner with your service pistol in your lap, staring into nothing.
The grief didn’t crush you. It carved you.
By the time you left the NYPD, you weren’t the same person. And maybe that was the point. You needed something new. Somewhere that didn’t hold his shadow in every alley, every precinct, every call sign on the radio.
The BAU wasn’t your first choice. Behavioral analysis wasn’t your strength. You didn’t have three PhDs or a mind built for chess moves and statistics. But they recruited you anyway. Hotch said your field instincts were unmatched, that you had a gut that couldn't be taught.
You were strong. Your suffering had hardened you into a diamond. But you did have a flaw. Sometimes, you rushed into things without strategy, relying on strength and impulse. You were more physically lead than others on the team, opting for the take-down rather than the talk-down.
This was what made you so different from the team's boy genius, Spencer Reid.
He wasn't the softest anymore himself. He was hardened by his abduction by Tobias Hankel, his drug addiction, his prison time, the loss of his first lover. But he didn't let it change him completely. He was still warm, like he'd been before. Still sweet. And he still did his job the same; in the same calculating, analyzing Reid way. He was more logic based than aggression based.
And that’s where you clashed.
Where you were storm and instinct, Spencer was method and measure. He needed answers before action. You needed action before the body count climbed. He quoted psychological journals; you trusted a gut that had never failed you. It was oil and water from the very beginning.
The team noticed it immediately — the sharp way you challenged his statistics, the way his mouth drew tight every time you went off-book, the way both of you refused to yield. Rossi called it "professional tension." Morgan called it "foreplay." Hotch just warned you both not to let it interfere in the field.
Of course, it did anyway.
It had been a difficult case.
A serial killer, targeting women, as was typical. It was a sensitive situation, requiring delicate action and careful steps.
The investigation went fine — smooth actually. It was easy enough to profile and find the man, but the hostage situation needed to be handled much softer.
He was holding a young woman in a cage, down below his house in a bunker. You, Reid, Prentiss, and Morgan were sent to do the confrontation.
The four of you approached the property quietly. The woods surrounding the cabin were thick and silent, the late afternoon sun bleeding orange through the trees. Reid had his tablet out, blueprints of the house and rough sketches of the underground bunker on display. You barely glanced at it.
“We can’t spook him,” Prentiss said, voice low. “If he thinks he’s cornered—”
“He might kill her,” Reid finished grimly. “He’s already escalated twice. He’s unpredictable under pressure.”
That was Spencer’s way — anticipate the worst, measure every variable. Your jaw clenched.
“Then we don’t give him time to react,” you said, cocking your weapon. “He’s not expecting a full team yet. We move fast, controlled. Get in, get her out.”
Spencer’s head shot up. “No. We stick to the protocol. We make contact, distract him, and—”
“There is no protocol for a man holding a girl in a fucking cage, Reid.”
Your voice was sharper than it needed to be, but you didn’t care. The thought of that girl locked up like an animal made your skin crawl. Every second wasted was another scar, another trauma she’d carry forever.
“Exactly. Which is why we don’t risk charging in blind,” he snapped back, stepping in front of you. “You go in there guns blazing and he could slit her throat before you even get your second step down that ladder.”
Morgan’s hand landed on your shoulder, a warning. “Both of you — not the time.”
But you weren’t done.
“Then what? We just talk to him? Offer him therapy? Hope he suddenly sees the light?”
Reid’s eyes blazed. “No. But we don’t rush in and make it worse. You want to save her? Then don’t be the reason she dies.”
It hit harder than you expected. Maybe because deep down, you knew he was right. Maybe because you hated being wrong in front of him.
The plan went Spencer’s way. At first.
You reached them. The man was sweaty, eyes wild. The girl moaned quietly in front of him, wrestling around in the heavy chains she was bound by.
Reid and Prentiss attempted a talk-down.
The unsub paced behind the girl like a panicked animal, holding a long hunting knife inches from her throat. His eyes flicked between Prentiss and Reid, twitchy and erratic, the delusion already thick in the air.
“I didn’t hurt her!” he barked. “I fed her, didn’t I?! She’s mine now — I chose her!”
You could practically feel the tension radiating off Spencer. He stood just a step in front of Prentiss, hands raised, calm as ever — but you knew him well enough to see the strain in his jaw, the slight tremble in his fingers.
“You’re not in trouble,” Spencer said gently, voice even. “You’ve been through a lot. No one wants to hurt you, we just want to help her. Let her go. We can talk, just you and me.”
The unsub twitched. “She loves me,” he muttered, jabbing the blade toward the girl’s collarbone. She whimpered again, and your own hand inched toward your holster.
“Reid,” you said quietly. A warning.
But he held up one hand. Not yet.
“You’re right,” he said to the unsub. “You did choose her. You saw something in her. That’s important. That means you care about her, right?”
The man’s breathing hitched — confused. Hopeful.
Then it happened.
She whimpered again — too loud. Too broken. Something in her tone must have snapped the illusion in his head. Because suddenly he screamed, pulled her tighter, and raised the knife.
You moved before anyone else could.
Gun drawn, aim steady, you crossed the space in two steps and tackled him. Your shoulder collided with his ribs, knocking him clean off the girl. You wrestled the knife from his hand and had him on the ground in seconds, arm wrenched behind his back.
You barely heard the girl sobbing as Prentiss rushed to her side. Barely heard Morgan’s footsteps pounding down the stairs. All you could hear was the pounding of your own pulse.
“God damn it,” Reid muttered from behind you. Not angry. Not even frustrated.
Worried.
The rest was a blur.
Back at the precinct, the girl had been taken to the hospital. The unsub was in custody. Everyone was safe.
But Spencer didn’t say a word to you until you were alone.
The motel hallway was dim and quiet, carpet patterned with decades of wear. You turned when you heard his door click shut behind him.
“You weren’t supposed to go in,” he said. Quiet. Low.
You crossed your arms. “And if I hadn’t, she might be dead.”
“She might be,” he agreed. “Or you might be. We all might've been. You can’t keep putting yourself in the line like that without thinking. You don’t get to be the only one who carries the risk. Not to mention what risk it puts on the other teammates.”
You blinked. Something about the way he said it — like you'd selfishly put everyone in danger.
Your eyes narrowed.
"How come you're always shitting on my busts, Reid? You ever think that one of these times, you might wait too long and get someone killed?"
He swallowed, his face tightening.
"Don't turn this around on me. You continuously stray from protocol like you're above the rest of us. If you just followed directions, I wouldn't have to complain."
You felt the flare of heat in your chest — insult, frustration, maybe even guilt. But underneath all of it, something deeper: hurt.
"Above the rest of you?" you repeated, voice low. Dangerous. "Is that really what you think of me?"
Reid held your stare, but there was a flicker of regret in his eyes now. He hadn’t meant to cut that deep. Or maybe he had. Maybe it had built up between you for so long, he hadn’t realized the blade was that sharp.
“I think you act like you don’t need us,” he said. “Like you don’t trust anyone but yourself. And in this job, that’s not just frustrating, it’s fatal.”
You laughed once, dryly. “Well, maybe I don’t trust anyone else. Maybe I learned a long time ago that trust doesn’t keep you alive.”
That landed. His expression cracked. Because if there was one thing Spencer Reid understood, it was the cost of trusting the wrong people. Or worse, not trusting the right ones until it was too late.
"You need to ease up. Trusting someone besides yourself might keep you alive one day," He hissed, leaning into your face. "You act like a stubborn, impulsive fool."
You scoffed, a snide smirk curling onto your face.
"That's better than constant fear and anxiety. I'd rather be too quick than too slow, Reid," your cold voice biting into him. "You're so busy tucking back into your turtle shell that you don't realize how much time you waste being afraid."
His eyes darkened, a flicker of something fierce igniting behind the calm intellect you knew so well.
“Being cautious doesn’t mean I’m afraid,” he snapped back, voice low but sharp. “It means I’m trying to think. Something you never do until after the damage is done.”
You stepped closer, your breath mingling with his in the tight hallway. “Yeah, well maybe it’s better to act first and think later than to be paralyzed by what-ifs. At least I move.”
You stood face to face, a silent snarl shared between the two of you. Spencer took another breath to snap back, but you were interrupted.
"Guys. Enough. The jet is about to take off." Prentiss said, placing a hand on your shoulder. You shrugged her off, slinging your bag over it instead.
"It's cool. I was done being questioned about my successful take-down anyways." You muttered, walking away.
Spencer watched you go, the frustration still simmering beneath his calm exterior. His jaw clenched as he ran a hand through his hair, the weight of unspoken words pressing down on him. He wanted to say more; to tell you that beneath his caution was a desperate hope you’d be safe, that he cared more than he knew how to show.
But for now, he let the silence stretch, knowing this was just one battle in a longer war between you. And maybe, just maybe, there was a way to bridge the gap, if only you’d both lower your guards.
The jet ride was tense. You didn't even look at Spencer, opting to pretend he wasn't there. He couldn't help but glance at you, the brooding look always on your face no different than usual. He sighed, returning to his book.
Back at the office, you shoved your go-bag back into your locker. The photo of your father glinted at you, stuck to the back of the door. You knew what he would've said.
You traced the edges of the photo with a tired finger, the worn image of your father — a man who’d always been your anchor in chaos — reminding you of the rules he drilled into you:
"Protect others."
"Never back down."
"Trust your gut."
"I'm so proud of you, kid."
You swallowed the lump rising in your throat, the weight of those words settling deep inside you. You’d carried his lessons like armor all these years — tough, unyielding, sometimes too sharp to wield without cutting yourself.
You stared at his image for a few more seconds, before turning away.
You jumped. Morgan, standing behind you.
"Jesus." You said, taking a deep breath. "Don't sneak up on me like that, dude."
Morgan chuckled, his usual easy grin softening the tension in the room. “Yeah, well, somebody’s gotta keep you on your toes.”
He glanced at the photo taped inside your locker. “Your old man sounds like a hell of a guy.”
You nodded, voice quieter now. “He was. Still is… in a way.”
Morgan leaned against the lockers, folding his arms. “You know, you don’t always have to carry all that weight alone. Not here. Not with us.”
You met his eyes, the sincerity there catching you off guard. For a moment, the walls you’d built felt a little less necessary.
"... Thank you."
Morgan nodded, leaning against the lockers.
"I heard you and Reid had a little spat in the hotel earlier."
You rolled your eyes, grumbling. Of course, Prentiss would've squealed.
Morgan’s grin widened, amusement sparkling in his eyes. “Yeah, I heard. Something about Spencer getting a little too in your space?”
You sighed, crossing your arms. “He’s got a knack for pushing buttons. Doesn’t know when to quit.”
Morgan shook his head, chuckling low. “That guy’s all brain and nerves. Sometimes he forgets there’s a person behind all that genius.”
You glanced away, feeling a mix of irritation and something softer beneath it. “I get it, but I’m not exactly easy to handle either.”
He leaned against the locker beside yours, eyes steady. “Look, I get it. You did what you had to do back there. You saved that girl.”
Your jaw tightened. “You think I don’t know that?”
Morgan shook his head. “No, I’m saying I see it. You’re a damn good agent. One of the best. But sometimes being the best means knowing when to slow down.”
You scoffed, bitterness creeping into your voice. “Slowing down gets people killed.”
Morgan didn’t flinch. “It’s not about slowing down all the time. It’s about picking your moments. You got guts, no doubt. But guts without control? That’s a problem.”
You finally met his gaze, raw and honest. “So what am I supposed to do, Morgan? Wait around for the bad guy to slit her throat? Let the clock run out?”
He studied you for a beat, then responded slowly. “No. But you gotta trust the team. Not just yourself. We got your six. We all do. Even Reid. You don’t have to carry this alone.”
You swallowed hard. The weight of his words settled in your chest. It was easier said than done. You were used to standing on your own — had been for as long as you could remember.
Morgan clapped a hand on your shoulder, solid and reassuring. “Your dad taught you to protect others, right?”
Your eyes flickered to the photo taped inside your locker, the man who was everything steady in your world.
Morgan smiled softly. “Yeah. And that means sometimes you gotta step back, watch the angles, think a few moves ahead. That’s how you protect the team and yourself.”
The tension between you seemed to ease, just a little. You weren’t used to advice that didn’t come with judgment, but this was different. It was real.
Morgan gave you a wink. “You’re a hell of a cop. Don’t forget, sometimes the smartest move is patience. Not just power.”
You nodded, the edges of your defenses softening just enough for a flicker of respect. “Thanks, Morgan. I’ll try.”
“Try?” He grinned. “No try. You’ll do it.”
You smirked back. “Yeah? You confident in me?”
“Hell yeah. Just gotta let the team catch up sometimes. And don't forget,” he said, nudging your shoulder. "We could all learn some things from you too. Even Reid, when he decides to get his head out of his ass."
You snickered, rolling your eyes and turning back to your locker, shutting it.
“Thanks for the reality check.”
“Anytime,” he said, before turning and walking away, leaving you with something you didn’t realize you needed — a little hope.
The next case came quickly. You almost weren't ready for it.
Your headphones blared into your ears as you trained in the sparring room, sweating as you bounced around a punching bag. Your gloves squeaked with every moment you made, punching into the bag with preciseness and toughness.
Your phone rang.
You yanked a glove off with your teeth and fumbled for your phone, the sweat on your fingers making it harder to swipe. The name on the screen — Hotch — made your stomach tighten. You were still riding the edge of your last conversation with Morgan, and now, here came another case.
“Yeah?” you answered, a little breathless.
Hotch’s voice was calm, clipped. “Briefing room. Twenty minutes.”
You wiped your brow with the back of your forearm. “Copy that.”
He hung up without another word.
You stood there for a beat, the bass of your music still thumping in one ear. The punching bag rocked gently beside you, evidence of your focused aggression. But the tension in your shoulders hadn’t eased. If anything, it pulled tighter.
Another case. Another town. Another family ruined. You loved this job but sometimes, it felt like it never let you breathe.
With a grunt, you unwrapped your gloves, tossing them in your gym bag. As you pulled your hoodie over your damp sports bra and headed for the showers, Morgan’s words echoed back in your head:
“Sometimes the smartest move is patience. Not just power.”
You smirked faintly to yourself, voice muttering under your breath, “Yeah, well... I hope patience works on serial killers too.”
You had no idea what you were walking into, but you knew this much: you'd face it head-on.
Just like always.
You pulled your work clothes on quickly and headed for the bullpen, tossing your hair into a ponytail.
The rest of the team was already there, relieved to see you walk in.
"Sorry. I was training." You said quietly, joining them at the table.
Hotch gave you a nod — his version of “no problem.” Reid glanced up from the file in his hands, his eyes catching yours for a moment before flicking back down. You weren’t sure what that look meant, but you didn’t have time to dwell on it.
“Victim number three was found this morning,” Hotch began, passing a photo across the table. “Female, early thirties. Same MO. Ligature marks, posed postmortem, and a red ribbon tied around the wrist.”
You leaned forward, studying the image. “Same as the others. No signs of forced entry?”
JJ shook her head. “Nothing. It’s like they let the killer in willingly.”
You crossed your arms, thoughts already sharpening like blades. “So he’s charming, disarming. Makes them feel safe… until he doesn’t.”
Morgan pointed at the map. “All victims lived alone, all in a five-mile radius. He’s hunting in a comfort zone.”
Spencer cleared his throat, hesitant but determined. “Geographical profiling supports that. He’s probably familiar with the area -- might even live or work nearby.”
You glanced at him again, this time holding the look for a second longer. “Then we start knocking on doors.”
Prentiss gave a wry smile. “I like it when you get fired up.”
You shrugged, grabbing a file. “Better than sitting on our hands.”
Hotch raised a brow. “Let’s keep it focused. Morgan, you and (Y/N) check in with local businesses. Reid, JJ, and Prentiss, canvass the neighborhood. I’ll coordinate with local PD.”
You nodded.
"I know that PD pretty well. My dad and I worked with them for a couple of years. I'll pitch in with the communications."
Hotch gave a curt nod, clearly appreciating the initiative. “Good. Familiarity could speed things up. Just make sure they loop everything back to me.”
You gave him a short, respectful salute. “You got it, boss.”
Morgan shot you a quick grin as he slung his bag over his shoulder. “You sure you’re not trying to take Hotch’s job?”
You smirked. “Please. I’d make a terrible brooding authority figure.”
Hotch didn’t even look up from the map he was marking. “I’m standing right here.”
You and Morgan exchanged a glance, both biting back laughter.
As the team filed out, Reid hesitated at the edge of the room. He glanced at you, like he wanted to say something, but then just gave a slight nod and walked away with JJ and Prentiss.
Your eyes lingered on his back for a second before you turned and fell into step beside Morgan.
“So,” he said as you headed for the SUV, “you and local PD go way back?”
You nodded. “Yeah. My dad and I used to consult on cases when I was younger. He was training me even before I joined the Bureau. Some of those officers were practically family for a while.”
Morgan nodded slowly, the corners of his mouth tugging up in a thoughtful smile. “That explains a lot.”
“What does?”
“You move like someone who’s been doing this their whole life. It’s in your blood.”
You paused at the passenger door, his words landing heavier than he probably intended.
“Yeah,” you said softly. “It is.”
Morgan didn’t push. He just clapped a hand on your shoulder. “Then let’s go show ‘em how it’s done.”
You gave him a small smile. “Hell yeah.”
You slid into the seat, heart steadier than it had been in days. Maybe the next few hours would be hell. Maybe this case would crack something raw in you. But with Morgan’s support at your side and your father’s instincts still pulsing through your veins, you weren’t going in blind.
You were ready to hunt.
No sooner had you and Morgan hit the pavement than the scent of tension in the air thickened, like something dark had just passed through and left its mark. The PD station felt different now than it did when you were younger. Familiar faces looked more worn, more guarded.
“Agent (L/N),” one of the lieutenants greeted you with a surprised smile. “Heard you were coming in. Damn, you look more and more like your old man every time I see you.”
You gave him a short nod, your voice quiet. “Thanks, Lieutenant. Wish it were under better circumstances.”
Morgan stood back slightly, letting you take the lead. He watched as you moved through the room with purpose; calm, steady, authoritative in your own way. You weren’t trying to be your father, but his legacy lingered around you like armor.
“We’ve already pulled security cam footage from nearby businesses,” the lieutenant explained. “We can have it queued up for you in five.”
“Perfect. Let’s get started.”
Morgan leaned over to you as they set things up in the back room. “You’ve got them listening to you like you’re already in charge.”
You gave a tired shrug. “My dad never tolerated anyone doing half a job. I guess that stuck.”
He studied your face for a moment — sharp, focused, a little worn around the eyes. Then he said, “You know, you don’t always have to be the one holding it all together.”
You glanced at him, surprised.
“You said that already,” you reminded him.
He shrugged. “You didn’t listen the first time.”
You laughed under your breath, but your eyes softened. “I’m listening now.”
Before either of you could say more, an officer called you over. “You’re gonna want to see this.”
The footage was grainy but clear enough: a figure pacing outside a bakery at midnight. Twitchy. Darting glances. Then dragging something — someone — down an alley.
Morgan muttered under his breath. “Looks like our guy.”
Your expression shifted instantly. Calm became alert. You pointed to the timestamp. “That’s two hours before the last body was found. He was still escalating.”
The lieutenant nodded grimly. “He’s getting bolder.”
Morgan stepped beside you, already scanning the angle, escape routes, signage. “What do you want to do?”
You took a breath, already forming a plan.
“We start there,” you said, pointing to the alley. “We follow the trail. And this time, we end it before he escalates again.”
Morgan gave a sharp nod. “Now that’s the kind of leadership I can get behind.”
You smirked faintly. “Don’t get used to it.”
He grinned back. “Too late.”
You quickly phoned the rest of the team, getting them in on it. It was decided.
You'd be bait — the youngest on the team. The prettiest, Prentiss had claimed. But it would take something you weren't exactly versed in.
Patience. Calculation. Thought before decision.
You, of course, had too look like less than an agent. That night, you had to get prepared, dressing down from your usual slacks and dress shirt and opting for a more.. casual.. look.
Garcia, JJ, and Prentiss just couldn't wait to get their hands on you. It was a once in a life time opportunity.
You barely made it into the hotel room before the ambush.
“There she is!” Prentiss announced, arms crossed with a smug grin. JJ was already holding up two hangers, each with an outfit. Garcia was seated cross-legged on the bed with a massive makeup bag splayed open in front of her like a battlefield.
You blinked. “Did you guys.. Were you waiting for me?”
JJ smirked. “Garcia brought supplies.”
Garcia didn’t even look up. “Sweet cheeks, I have been dreaming of this day since you joined the team. And now… finally…” She lifted a compact like a weapon forged in heaven. “The day has come.”
“This isn’t a makeover montage,” you muttered.
“Oh, but it is,” Prentiss said, grabbing your wrist and tugging you into the middle of the room. “You’re going undercover as vulnerable, off-duty eye candy. We’re making sure you sell it.”
“Guys,” you sighed. “This isn’t Clueless. I’m bait for a serial killer, not a Tinder date.”
“Exactly,” JJ said, tossing a pair of stockings onto the bed. “So you need to look like someone who doesn’t know she’s being watched. Not like someone who could break someone’s nose with two fingers.”
The scene was a bar. Wasting some time inside of it, sipping on a few prop drinks all alone, before stumbling out into the alley where he'd most likely take his chances on you.
You had to look the part. The mysterious, lonely temptress who would go quietly if grabbed.
You were forced into a short, red dress, one that hugged your curves and showed off the length of your smooth legs. Your hair was curled, natural makeup on your already pretty face.
You were gorgeous. Not that you weren't usually. But this was much different than your slick-back ponytail and business only outfit, a gun hanging from your holster.
Garcia let out a dramatic gasp when you stepped out of the bathroom.
“Oh. My. God.” she breathed, eyes widening. “You’re not just bait, you're irresistible temptation. Marry me.”
Prentiss gave a low whistle. “Remind me to never stand next to you in public again.”
JJ smirked. “He won’t stand a chance. Poor bastard.”
You tugged at the hem of the red dress, fidgeting. It was shorter than anything you usually wore. Hell, it was shorter than anything Garcia usually wore. “I feel like a walking target.”
“That’s the point,” Prentiss said, coming up behind you to fix a loose curl. “But don’t forget. You’re still the most dangerous one in the room.”
Garcia handed you a tiny clutch with your wire and phone inside. “And just in case he gets any ideas before the alley, Reid and Morgan will be watching from the bar. Hotch and I are set up in the surveillance van. You’re never alone.”
You looked at yourself in the mirror again. It was surreal, like staring at a version of yourself that only existed in smoke and mirrors. A version soft enough to lure in a killer. A version smart enough to trap him.
You took a breath. Deep. Steady.
“I can do this,” you muttered.
“You will do this,” JJ corrected firmly, her voice resolute. “And when you bring this guy down, I want my red dress back.”
You laughed softly, the nerves settling into something colder, more useful. “You got it.”
As the three women saw you off, Prentiss stopped you with a hand on your arm. “Hey. You’re more than bait. You’re the one drawing him out. That makes you the one in control.”
You stepped outside, meeting Morgan and Reid at the undercover vehicle, a sleek black SUV. They stood talking by the passenger's door, only noticing you approaching when you got close.
Morgan was the first to look up; and his reaction was immediate.
His brows rose, a low whistle slipping out as he took in your appearance. “Damn. Remind me what we’re trying to catch again? Because I think you just stunned me.”
Reid, less composed, blinked rapidly. His mouth opened, closed, then opened again. “Y-You, uh, wow. You look…” His brain clearly short-circuited.
You raised an eyebrow, smirking slightly. “Careful, boys. I’m armed.”
Morgan laughed, clapping Reid on the back as if to snap him out of his stupor. “You good, pretty boy? Need a second to reboot?”
Reid cleared his throat, shoving his hands in his pockets and very intentionally looking at the SUV instead of you. “I’m fine. Let's move out.”
Without another word, Reid hopped into the car, leaving you and Derek in silence. You rolled your eyes as Derek opened the door to let you get in.
Morgan held the door open with a crooked grin. “You know, I’ve seen you break a man’s nose with the butt of your Glock… but somehow, this might be the most dangerous I’ve ever seen you.”
You scoffed, climbing into the SUV. “Save it for Garcia.”
In a few short minutes, you were at your destination. You got out, securing the wire into a hidden place as Reid and Morgan looked around. You tossed your curls behind your shoulder and cleared your throat.
"Alright. In the bar for fifteen minutes, twenty at most. If he approaches you, play coy. If he doesn't, we still have a chance to lure him in the back alley," Morgan explained, securing his own wire and tucking his gun. "We're more likely to see him out there. He's struck in that area quite a few times."
You nodded.
"Don't be afraid. We'll be right there with you, just at a distance. If you're ever too uncomfortable to stand it, call for us."
You made a gesture of agreement to Morgan before finally glancing at Reid, who cleared his throat.
"Just.. Don't jump the gun." He said. He somewhat failed to keep the entitlement in his voice. You wondered what was plaguing him, but nonetheless, you ignored it, rolling your eyes.
"I got it, Reid. Don't worry. Your teachings will be on my psyche the whole time."
Reid’s jaw ticked slightly, clearly unsatisfied with your response but unwilling to push further — at least not in front of Morgan.
Morgan, on the other hand, was watching the two of you like he was sitting court-side. “Alright, kids,” he said, breaking the tension with a raised brow. “Let’s not make this a pissing contest. We’ve got a predator to catch, not egos to babysit.”
You smirked, giving Morgan a thumbs up as you reached for the bar door. But before you could step out, Reid finally spoke again, softer this time, less sharp.
“Just… be careful. Please.”
You paused, turning slightly to look at him. There it was. Underneath all the attitude and irritation — the worry. The fear. The unspoken something that had been simmering between you both since that stupid hotel argument.
You gave a nod. “I will.”
And then you stepped out, heels clicking against the pavement, shoulders square, mask slipping into place.
You weren’t the agent now. You were the bait.
For a while, it was dead.
You sat at the bar, sipping on a "vodka soda," looking around. You tried your best to keep your emotions off from your face, opting for a more bored look. Your legs were crossed. People filtered in, people filtered out. The music changed. Drinks were poured, people surrounded you. A few approached, but not the one you needed.
You checked the time subtly, tilting your wrist just enough to catch the glint of the watch Garcia had modified for comms. Seventeen minutes. A little longer than planned, but not enough to call it yet. You could feel their eyes on you, Morgan’s and Reid’s from their respective vantage points, watching every shift of your posture like hawks.
The bartop was sticky, the lighting dim, casting sultry shadows that you knew looked calculated from afar. You took another slow sip, letting your eyes drift across the room again. A man at the end of the bar caught your gaze, held it for a beat too long.
But he turned away. Not him.
Your fingers tapped lightly against your glass, nails clicking in a slow rhythm.
Patience. Not just power.
You breathed out through your nose, subtle and quiet. You could play this game.
Just when your boredom began to feel a little too real, movement in your periphery made your eyes flick. A man near the jukebox — tall, late 30s, scruffy beard, not quite drunk but deliberately slow in his movements. Alone. Observing. Not playing music.
He looked at you.
You tilted your head slightly, uncrossing and recrossing your legs. Deliberate. Casual. Vulnerable.
He didn’t move.
But now you knew.
That was him.
And he was watching.
You cleared your throat, turning away and looking disinterested, until you felt his presence get closer and closer. Then, he was right beside you.
"Out here all alone?"
You didn’t look at him right away. You let the question hang for a beat, took a slow sip of your drink, kept your eyes ahead like someone unsure whether to entertain the voice or pretend they hadn’t heard it.
Then you turned, just a little. Just enough for your lashes to lift slowly, eyes finding his. Soft. Unassuming.
You gave a half-smile. “Depends who’s asking.”
He chuckled lowly, like he’d practiced it. Like he wanted it to sound charming but didn’t quite have the tone right. “Just someone who hates to see a pretty girl looking so bored.”
You glanced around the room lazily, then back at him. “Well. Not exactly a thrilling place to be alone.”
His eyes scanned you too thoroughly. It made your skin crawl, but you didn’t flinch.
He leaned on the bar beside you. “Maybe I could change that.”
You shifted, letting your knee graze his thigh — accidentally, on purpose. “Maybe you could.”
From the comms in your ear, you could barely catch Morgan’s low voice: “He’s on her. Stay ready.”
You gave the stranger one last smile before looking down into your glass. “Buy me a refill?”
He motioned to the bartender. “Vodka soda, right?”
You nodded. “Good memory.”
He grinned, and that time it reached his eyes. Just a flash. Something darker.
Bingo.
Your heart kicked up. But your face never betrayed it. You leaned in, just slightly, pretending to laugh at something he hadn’t said.
You held a conversation easily, as if you'd been doing this forever. You barely nursed your drink, immersing yourself into fooling him more than anything else. You crossed your fingers.
And soon, it came. The question you needed.
"You wanna get out of here?" He asked gruffly, a hand coming up to stroke your exposed collar bone. You wanted to throw up. You wanted to snap his arm, slam him to the floor and cuff him immediately.
But you thought about what Spencer had said.
Contemplation. Patience. The art of being cautious. It was just as useful as the fire you usually lit onto anyone you apprehended.
You took a slow breath through your nose, keeping your smile soft, a little shy. You let your eyes flick down, like you were considering it. Like you hadn’t just felt bile rise in your throat at the weight of his hand.
This was the moment. The danger curled just beneath your skin, thrumming like a second pulse.
“Yeah,” you said, voice a little breathier, like nerves. “I could use some air.”
He smiled — victory, hunger, maybe both — and slid off his stool, his hand brushing down your arm as if he had the right.
Morgan’s voice was calm but firm in your earpiece. “She’s moving. Everyone hold position. Reid, keep visual.”
You followed him toward the door, a little slower than necessary, stumbling just enough to play into it. “Sorry,” you muttered with a nervous laugh. “Maybe I had one too many.”
“Don’t worry, sweetheart,” he murmured, holding the door open. “I’ll take care of you.”
The night hit you like a slap of reality — cold, quiet, real. Your heels clicked against pavement as he guided you down the sidewalk, toward the alley behind the bar.
Your breath hitched. Not from fear. From instinct. The part of you that was still an agent. Still ready to fight, to break him, to stop this before he could touch another woman.
But you stayed in character. You stayed the part.
“Reid,” Morgan’s voice came again. “Do you have eyes?”
There was a long beat before Spencer replied, voice low, strained. “Yes. He’s guiding her down the alley. Don’t move yet.”
You felt it in his voice. You'd felt it since your argument. The tension. The fear. The anticipation. There was something different about the way Reid talked to you, talked about you, ever since your moment in the hotel.
You turned to the man, letting yourself wobble just enough, brushing against him like you needed balance. His hand found your waist too easily.
“You okay?” he asked.
You gave him a soft laugh. “Yeah. Just… a little dizzy.”
“Don’t worry.” His grip tightened. “I’ve got you.”
And then, just like that, he started to lead you into the dark.
Any second now.
Then, moments later, his grip on you became stronger. More direct. Less friendly.
"What are you—"
Without another word, you were slammed up against the brick, his dirty hands all over you. Frantically searching for something. Pain echoed through your body as he continued ruffling your clothes, pulling at your hair.
You frowned, struggling.
"Please, don't—"
"Shut up, bitch! I know you're a cop." He snapped, jerking you slightly.
Your jaw dropped. You felt as though you had cold water thrown over you, dripping down your spine into your heels.
"But I'm not." You attempted meekly.
Cautious. Don't fight yet. Contemplate your choices.
He snickered snidely.
"Officer L/n. I know your father, sweetheart. Or knew him," He said, his clammy breath fanning into your face. "He got my friends put away for life. And then there you were, following right in his footsteps."
He dragged you away from the brick wall, grabbing you by your face. A knife glinted in his other hand.
The cold edge of the blade caught the faint glow of the alley light, flickering like a warning. Your breath caught in your throat. Your hands were still raised — not in surrender, but in precision. Timing.
"Where's the fuckin' wire? Tell me or I'm slitting your throat and dropping you right here."
You swallowed hard, keeping your voice steady despite the pounding in your chest. “I don’t have a wire on me.”
His eyes flashed with suspicion, narrowing dangerously. “Bullshit.”
"Please.." You muttered.
Wait. Wait. Wait.
"Where. Is. The. Wire?!" He snapped, pressing the knife into you.
You froze for a heartbeat as the knife pressed sharper against your skin, a searing line of cold fire that threatened to break through your calm. Your breath hitched but you forced it back down, steady and slow, every nerve screaming for you to act.
“Wait,” you whispered, eyes locking with his — steady, unflinching. “You want the wire? I'll give it to you. I'm begging you not to do this.”
His grip tightened, but there was a flicker of hesitation in his eyes, just a flash. Then, the knife pressed harder, enough to nick you, enough to cause a drop of blood to drizzle down. You hissed, tears collecting in your eyes.
Before the knife could press deeper, Reid sprang forward in a sudden burst of strength and precision — the kind of controlled force you usually wielded yourself.
He grabbed the man’s wrist, wrenching the knife away in one smooth motion. The blade clattered to the ground.
Without hesitation, Reid twisted the man’s arm behind his back and slammed him face-first against the brick wall with a sharp grunt.
The attacker struggled, but Reid’s grip was ironclad. He never did take-downs. He never felt like it was time. He valued a talk-down, a chance for the Unsub to see the light without an altercation. But something had snapped.
Reid’s breathing was heavier, eyes sharp and fierce — something you’d never seen in him before. The usual hesitation and quiet intellect gave way to raw, unyielding force. It was like watching a different side of him come alive, the side you’d been expecting all along but had never truly witnessed until now. The others had claimed to see it since he'd come home from prison, but it had never been revealed to you.
He hissed quietly, “Don’t move.”
You slumped against the wall, breathing heavily with a hand clutched to your neck. Blood flowed steadily, but not at a dangerous rate. Just enough to need a med team, but not enough to be scared. You stared up at the sky, frowning.
Morgan and Hotch came after, taking the Unsub from Reid, who was pressing him harder and harder against the wall every second as if he'd personally offended him with his existence.
Hotch immediately stepped in, his voice calm but authoritative. “Easy, Reid. Let him breathe.”
Morgan was already pulling out a medical kit, kneeling beside you quickly. “You good? That cut’s nasty, we can’t patch it up on-site.”
You gave a stiff nod, biting back the sting. “I’m fine. Just… keep him away.”
Reid’s jaw clenched, but he finally loosened his grip, stepping back reluctantly as the cuffs clicked shut around the Unsub’s wrists.
Your eyes met his, a quiet understanding passing between you both— raw tension still lingering, but also something deeper. You’d both taken a page from each other’s book tonight: your strength and resolve, his patience and calculated caution.
Morgan glanced at the three of you, breaking the moment with a grin. “Alright, bait and backup — that’s how we bring down monsters."
You rolled your eyes as you pressed the gauze to the side of your neck. "All in a day's work."
Morgan hummed.
"You need a hospital. I can drive—"
"I can do it." Reid interrupted quietly, looking at you more than he was Morgan.
You cleared your throat, nodding.
Reid’s eyes softened just a fraction as he reached out, carefully taking your hand to steady you. “Let’s get you patched up properly.”
Morgan gave you both a teasing smirk, but wisely kept his distance as Reid helped you into the SUV.
The ride was silent. The quick treatment in the hospital was silent, too. You allowed them to clean and stitch you up, flinching every few moments, before your eyes met Reid's again.
There was something different. There was no irritation or arrogance in his brown eyes like what he normally directed towards you. It was only softness. Just simply watching you, like it was a normal habit of his that he could do all day. Thick with tension. Words unsaid.
You couldn't lie. It made you blush. You looked away.
The conversation didn't ensue until the ride back to the hotel.
The engine hummed low as the SUV slipped down the dark road, headlights casting long, sweeping shadows across the pavement. Reid drove slower than usual: cautious, thoughtful. His fingers gripped the wheel with a quiet intensity, knuckles pale.
You sat beside him, your body angled slightly toward the window, but your eyes drifted, again and again, to his face. To the way his jaw tensed and relaxed like he was chewing on words. Like he couldn’t hold them in much longer.
He broke the silence.
"You did perfectly." He said quietly.
Your eyes flicked to him, surprised by the softness in his tone.
“Didn’t feel perfect,” you muttered, fingers brushing the gauze at your neck. “I let him get too close.”
“That was the point,” Reid said, glancing at you before returning his gaze to the road. “You had him completely. You waited. You didn’t react too soon. That’s what saved your life.”
You gave a small, dry laugh. “I thought I’d be the one snapping his wrist and pressing his face into the wall. Guess we traded roles.”
Reid’s mouth twitched. Not quite a smile, something more fragile. “You’ve always been better at brute force. I just never thought I’d actually need to use it.”
You leaned back in your seat, watching him. “So what changed?”
He didn’t answer right away. Just kept driving, eyes steady, lips parted slightly like the words were there, just hesitant to form.
Finally, he spoke, voice barely audible. “The second I saw him touch you, I didn’t think. I didn’t weigh the risk or the outcomes. I just… moved.”
Your throat tightened. “Why?”
He inhaled slowly. “Because if something had happened to you, if I had waited even a second longer, I wouldn’t have forgiven myself. It's hard enough to accept that you were hurt at all.”
You looked down at your lap, quiet for a beat. “I didn’t think you liked me that much.”
Reid frowned, squeezing the wheel.
"Name.. I don't dislike you." He said hoarsely. "I admire you, to be truthful. You're brave. Strong. Everything I want to be and have struggled to be my whole life," his voice was just above a whisper as he stole a glance your way.
"But I worry. All the time. I worry that something will go wrong and I'll lose another person. Another member of the team. And someone that I.." He trailed off.
Your heart thudded painfully in your chest.
“Someone that you…?” you echoed gently, coaxing the rest out of him.
Reid’s jaw clenched. He exhaled shakily through his nose, like the truth physically hurt to say aloud.
“Someone that I like. Someone I care about,” he said at last, voice quiet but unwavering. “I didn’t mean for it to happen. I didn’t want it to. You make me insane, half the time. You drive me completely up the wall.”
You smiled faintly, despite the tension thick in the car.
“But then I watch you work. Or I hear you laugh. Or you look at me like I’m not broken, like I’m not damaged goods. And I—I can’t unfeel it.”
Silence blanketed the car once more, but this time it was full of unsaid things that didn’t need words. It buzzed with the gravity of what had finally cracked open between you.
He pulled into the parking lot of the hotel, putting the car in park. His eyes slid over to yours again.
You reached out slowly, resting your fingers gently over his. He looked down at your hand, then up into your eyes, as if trying to make sure this was real.
You gave a soft, knowing smile. “Took you long enough to admit it.”
Reid huffed a breath, almost a laugh, though his eyes were still glassy with everything he hadn’t said before tonight. “I thought you hated me.”
“I thought you were too good for me.”
His gaze flicked to your neck, then back to your eyes. “No one’s too good for you.”
"You are." You snorted. "I'm mean. Closed off. I don't listen."
Reid shook his head slowly, his eyes never leaving yours.
“You’re protective,” he corrected gently. “You carry the weight for everyone else so they don’t have to. And you listen more than you think — not always to words, but to people. To their actions, their patterns. That’s why you’re good at this.”
You looked away, swallowing hard, your throat tight. “Still. You’re… kind. And soft. And patient. You make people feel safe just by being in the room. I make people flinch.”
Reid’s hand turned beneath yours, his fingers slipping between yours with quiet certainty. “I don't flinch.”
Your eyes snapped back to his, caught off guard by the quiet conviction in his voice. There was no teasing, no hesitation, no irritation in his tone — just truth. Solid and unwavering.
You stared at him for a beat, breath shallow. “No,” you whispered. “You don’t.”
Reid tilted his head slightly, his gaze dipping to your lips for just a second before returning to your eyes. “I see you. All of you. And I don’t flinch.”
The weight of his words settled in your chest like an anchor: grounding, calming, terrifying in the best way. No one had ever looked at you like this. Not with fear. Not with judgment. But with… something gentler. Something that threatened to undo every wall you’d ever built.
“You’re not scared of me,” you said quietly, like you were still trying to convince yourself.
“I’m scared for you, every time you throw yourself into harms' way,” he admitted, voice barely above a breath. “But never of you.”
There was a pause. Heavy. Electric.
And then, in the dark hush of the SUV, with the sounds of the city and the glow of the streetlights casting soft shadows across his face, you leaned in.
"Reid?"
"Call me Spencer."
You snorted softly, rolling your eyes.
"Spencer?"
His name lingered on your tongue, warm and unfamiliar in that intimate kind of way, like a secret finally spoken aloud.
He gave the faintest nod, eyes flicking down to your lips again, and this time he didn’t look away.
“Yeah?” he asked, his voice rough around the edges, like he already knew what you were going to say but needed to hear it anyway.
Your breath caught, lips parting slightly. “You’re not as subtle as you think.”
He blinked. “What?”
You tilted your head, your smile barely there. “The staring. The tension. The way you act like I’m a walking risk assessment.”
Spencer’s lips tugged up, sheepish but unrepentant. “I didn’t want to cross a line.”
“You didn’t.” Your voice softened, fingers still tangled with his. “You didn’t cross anything.”
He leaned in a little closer, enough for his breath to ghost across your cheek.
“Then can I?” he whispered.
Your heart thudded once, hard, before you nodded.
“Yes. Please.”
And then, he kissed you.
Slow. Intentional. Like he’d waited a lifetime for permission.
And you, well, for once, you didn’t think. You didn’t fight.
You just let yourself feel.
You knew your father would've liked him.
672 notes · View notes
mlchaelwheeler · 15 days ago
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Will's Powers in S5: A Deep Dive (lol)
After starting a rewatch of s1-4 since the s5 teaser drop, @frodohaven and I feel like we've cracked (a bit of) the code for Will and his powers in S5.
There's been much speculation that Will has fire powers due to the constant "fireballing" he does in the DnD campaigns and the fact that the upside down (UD)'s weakness is fire. While this is close, I'm like 99.9% sure Will actually has electricity powers, most likely acquired during his time in the UD. It's also possible he was born with them, but I'm not going to get into the origins of his powers here, that's for another time.
The Evidence:
All the way back in 1x01, Will manages to contact Joyce by phone from the UD. This is likely the first time he's using his powers, and he doesn't really know what he's doing. However, it's possible the UD is able to enhance his powers, allowing him to communicate with Joyce mere hours after being taken. The phone call ends with lightning coming out of the phone, zapping Joyce and burning the phone. Will most likely lost control of his powers when the demogorgon nearly caught him, as heard through the phone call. Throughout S1 we see Joyce damage a lot of phones due to the electricity.
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Later in S1, Will is able to communicate with Joyce through a bundle of christmas lights. We know lights are inherently tied to the UD, as Joyce and Hopper make the christmas lights spark for Jonathan, Nancy, and Steve in 1x08 as they traverse through the UD. What's interesting about Will though is that he's directly able to control the lights. He causes them to blink "once for yes, twice for no." He makes all the lamps in his bedroom shine in sync when Joyce asks him to do it. He spells out "R U N" with the christmas lights when Joyce talks to him. These aren't random light occurrences that come from proximity like we saw from other characters. Will has a real control over electricity from the UD.
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While most of the evidence is from S1, there's a reason for that. As Will isn't aware he has powers yet, being in the UD (for the entirety of S1) is likely how he's able to manifest his powers so easily. He's possessed in S2 and in the normal world in S3-4, so he doesn't have the UD acting as a conduit or enhancer anymore. He's still connected to the UD, hence his "spidey sense," but isn't able to tap into his powers just yet.
Will's Powers Vs. El's Powers
Something very interesting that's become a motif throughout the entire show is the dichotomy of El and Will. In S1, they are constantly mistaken for each other. They switch places almost exactly: Will disappears, El appears. El disappears and Will reappears. They become siblings and are most likely mistaken for twins at school in S4. They've always been 2 sides of the same coin. How does this fit in with their powers?
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In 1x02, there is a flashback to Hawkin's Lab in which El, presumably after using her powers, is thrown in a closet and locked inside. Why can't she just escape? If we look closely at the closet, it's lined with metal walls and a metal floor. It seems to be copper, a conductor of electricity. So if copper acts as an inhibitor for El's powers (which was never brought up again in the show after S1, which is interesting...) what enhances them? Water.
We see many many instances of El relying on water to enhance her powers throughout the seasons. In S1, she is submerged in a water tank. She walks in water in The Void. She needs a pool in order to find Will in 1x07. She needs the running shower water to find Billy in 3x03. She needs a sensory deprivation tank (NINA) in 4x05 to regain her powers. She needs a makeshift pool from a freezer in 4x08 to save Max in the UD.
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Why is this important? Let's look at this in regards to Will. If El and Will are 2 sides of the same coin, opposites, maybe their powers work the same way. The inhibitor of El's powers, copper, would be the enhancer of Will's powers. As a strong conductor of electricity, copper would perfect sense as something that would enhance Will's powers once he is able to use them in the normal world. Perhaps this is what will allow him to channel his powers and save the day. More on that below.
Let's focus now on water, the inhibitor of Will's powers if it enhances El's. One thing that's well known about the UD is that there is no water there. That's always been interesting and unexplained. If Will did in fact create the UD (or shape it into the UD the characters interact with in the show), he subconsciously made sure to exclude water, something that would dampen or inactivate his powers. It's been hinted at multiple times by the ST official twitter (especially around S4) that "water is dangerous" or there's "no water available" or there's a lack of water overall. Why specifically focus on this when it didn't impact S4 much?
How Will This Play Out in S5?
From the teaser that dropped last week, most of us have noticed that Mike and Will are both shown to be fully drenched while all the other characters are bone dry. While Will's isn't clearly visible in the screen cap from the teaser, there was a pic posted on the ST official account of Will soaking wet that has since been mysteriously deleted.
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While we don't have a lot to go on for S5 yet, we do know that Vol 1 will include episodes 1-4, and Vol 2 will start with episode 5, meaning episode 4 is going to end of some kind of crazy cliffhanger. What better cliffhanger than Will realizing he has powers? 5x04 is titled "Sorcerer."
From the teaser, it's clear Mike and Will will be spending most of the season together. It's been theorized that they will go into the UD at some point on a solo mission. We know from S4 that there is a gate to the UD at the bottom of Lover's Lake, which the older teens use to travel to the UD by swimming down into the gate. It's possible that Mike and Will use this gate to enter the UD at some point in 5x04.
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Once back in the UD for the first time since he escaped from there in S1, Will could experience a resurgence in his powers. Being back in the UD will likely also cause Vecna to realize Will is there, and he will be an easy target. Will and Mike make their exit back through the gate in Lover's Lake, but as water dampens Will's powers, it may be even more damaging to him now that he's just realized his powers. He may go unconscious underwater and Mike may have to drag him to shore and revive him. It may be the reason Will seems to be unconscious or "out of it" in the screen cap from the trailer (above).
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It's likely some part of this "power's realization / unconscious Will / Lover's Lake gate" will be the cliffhanger between Vol 1 and Vol 2. When we pick back up with 5x05, Will, Mike, Joyce, and Holly's friends seem to be at some sort of military checkpoint or base. The teaser shows the military have tried to close up the rift (with metal) but something is breaking out of the UD, possibly following Will (and Mike) after they escaped from the gate in Lover's Lake.
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It's also important to note 5x05 is titled "Shock Jock," possibly a reference to electricity and Will finally using his powers. After being weakened by the water in Lover's Lake, perhaps something (copper? metal?) is able to enhance Will's powers, allowing him to finally manifest his powers in the normal world against whatever monster is breaking out of the rift. It may even lead to the infamous shot of Will from the end of the teaser (below). If he's unable to fully control his powers, he would want Mike and Joyce far away from him if he's fighting the UD monster with electricity.
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As a last note, it's also important to bring up the final showdown with Vecna. While this won't just involve Will (El will likely be there too), the show does start and end with Will. Vecna came for him first. He was specifically targeting Will in 1x01. Will is going to have to fight him. Back in S4, there was a flashback of Henry Creel becoming Vecna, in which he is absolutely fried by lightning. While this wasn't Will at the time, it's possible this was foreshadowing to what will defeat Vecna once and for all.
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After all, lightning starts fires, and it's been shown time and time again that Vecna and the monsters of the UD can be stopped by fire. Will's speciality is casting fireballs, so it's likely his powers will be a major contribution to the end of the UD and Vecna.
While much of this is simply speculation, there is a good amount of strong evidence that suggests Will is going to have powers in S5, and electricity seems like a plausible choice. It's also worth mentioning that on Mike's official playlist, the song "Are Friends Electric" is listed, which could be a nod to Will's powers. It would also support Flickergate, for all my insane theorizers out there!
Edit: I realized @threemanoperation has also theorized something similar here. Please also go read this analysis!
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blackstarlineage · 3 months ago
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Harriet Tubman (c. 1822–1913) was an abolitionist, freedom fighter, and humanitarian best known for her role as a conductor on the Underground Railroad, where she led hundreds of enslaved people to freedom. She was also a spy, scout, nurse, and soldier for the Union Army during the Civil War, making her one of the most fearless and effective leaders in the fight against slavery.
Born into slavery in Dorchester County, Maryland, Tubman endured brutal treatment at the hands of enslavers. Despite suffering a severe head injury as a child—causing lifelong headaches and visions—she developed a deep spiritual connection that guided her throughout her life. In 1849, she escaped slavery, traveling alone over 100 miles to the North, where she found freedom. However, she refused to stay free while others remained in bondage.
Determined to liberate her people, Tubman returned to the South at least 13 times, leading approximately 70 enslaved people to freedom through the Underground Railroad, a secret network of safe houses and abolitionists. Her success earned her the nickname “Moses���, as she never lost a single passenger on her dangerous journeys. She used disguises, secret codes, and her knowledge of the land to outmaneuver slave catchers, who placed large bounties on her capture.
During the Civil War, Tubman worked as a spy and scout for the Union Army, using her knowledge of the South to gather intelligence and organize guerrilla missions. In 1863, she led a daring raid on the Combahee River, which resulted in the liberation of over 750 enslaved people—one of the largest emancipation missions of the war. Her contributions to the Union war effort made her one of the few women to lead a military operation during that time.
After the war, Tubman dedicated her life to advocating for the rights of Black people and women. She worked to support formerly enslaved people, campaigned for women's suffrage, and established a home for elderly African Americans in Auburn, New York. Despite her immense contributions, she struggled financially and was not properly compensated for her wartime service.
Harriet Tubman’s legacy is one of fearless resistance, self-sacrifice, and an unshakable commitment to Black liberation. Her work not only freed individuals from physical slavery but also laid the foundation for future generations in the fight for civil rights, self-determination, and justice. She remains one of the most revered figures in African American and global history, embodying the spirit of liberation and resilience.
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